Feb 23, 2021 So, without further ado, let’s take a look at the best FREE autotune VST plugins in 2021. Graillon 2 (Free Edition) It’s impossible to talk about free autotune VST plugins without mentioning Graillon 2. Upon first opening the plugin, you are met with a stunning, industrial-style interface with glowing knobs and a clear, easy-to-use layout. Auto Tune Plugin For Garageband Autotalent by Oli Larkin is a great real-time pitch correction auto-tune Vst plugin. The Autotalent plugin ensures that only the specified notes are hit. Also, use this auto-tune Vst plugin to make Cher-like vocal effects, or use it as a simple pitch shifting / pitch correction audio effect.
Auto-Tune Mobile brings vocal pitch correction to vocal performance, using Antares' world-class Auto-Tune®technology. Now Antares' professional pitch correction recording studio technology is available for local performers touse live, on stage, or in recording apps on your iPhone / iPad.
Auto-Tune Mobile conforms to the Inter-App Audio (IAA) standard so you can use Auto-Tune with your other IAA apps. Notice when using with GarageBand that the Auto-Tune filter takes effect as you record the track. Oct 11, 2011 The auto tune effect is great in R&B, Hip Hop, and maybe even Pop music. Your imagination is the limit when you're working with vocal effects. With the large selection of royalty-free loops that come with GarageBand, there is a lot you can do if you're an indie musician. Using auto tune is surprisingly simple, it only takes a few steps.
The Auto-Tune Mobile app does not do anything until you sing through it. When you sing, Auto-Tune Mobile detects whatnote you are singing, and corrects the pitch of your notes, to the nearest valid note, from the ones you select on thescreen. The corrected vocals go out through the speakers (when you turn on Audio Out); also Auto-Tune Mobile iscompatible with other apps if you wish to record.
Connect Auto-Tune Mobile to your sound system between your microphone and your P.A. / speakers to use Auto-TuneMobile in a live performance setting. Use a microphone audio interface device to connect the 1/8 inch jack to yourmicrophone line and the headphone output to your sound system. Turn on Audio Out on the Auto-Tune Mobile app to getaudio to pass through the system. If you turn on Audio Out without connecting to your sound system, you are likely tohear the internal feedback of the internal speaker to the internal mic. Adjust your mic and speakers so there is nofeedback.
Vocals are corrected to the nearest pitch based on the key and scale of the song, or to a set of melody notesselected on the screen. Use the Chromatic scale when you don't know what key or scale a song is in. This is theeasiest way to correct your voice to the nearest pitch.
The Retune speed is the time it takes for Auto-Tune to pitch correct your voice. The Normal Retune speed is a settingof 50 msecs -- this gives a natural humanized pitch correction effect. Normal Retune speed is appropriate for a moderatetempo song, for example a song at 120 bpm with a melody in eighth notes.
A funky or fast tempo tune, or a song requiring sixteenth note precision, will likely require a Fast Retune speed.The Fast Retune speed corrects notes within 25 msecs; this is better for faster notes. For slow songs or balladsfeaturing long held notes, the Slow Retune speed (75 msecs) may provide a more natural sound.
Garageband Autotune Download
In addition to natural sounding pitch correction, you can also apply the iconic Auto-Tune effect. The Auto-Tuneeffect in essence retunes your pitch immediately (in 0 msecs). Ironically, if you sing really well, there is not muchcorrection for Auto-Tune to do. The Auto-Tune effect is most noticeable when you are off key or you slide into a note.Also when you set the app to the Auto-Tune Effect setting, a meter appears at the top (red bouncing ball) that visuallyindicates whether you are singing sharp or flat.
The Bypass button is provided as a quick way to stop and start adding the effect as you sing.
Auto-Tune Mobile conforms to the Inter-App Audio (IAA) standard so you can use Auto-Tune with your other IAA apps. Notice when using with GarageBand that the Auto-Tune filter takes effect as you record the track. If you want to pitchcorrect a pre-existing vocal you will need to replay it outside of GarageBand and re-record it to a new track. Midicontrol of pitch correction is included, so you can connect a Midi keyboard and direct the vocals to sing on aparticular melody or on a set of scale notes as pressed on the keyboard. Midi note presses will show up in red on theapp. On cooking 6th edition free pdf download acrobat adobe reader.
Auto-Tune Mobile is Audiobus compatible, allowing Auto-Tune Mobile to work with your other iOS music apps. Auto-TuneMobile acts as a filter in the “Effects” category, so you can apply pitch correction and the Auto-Tune effect to otherAudiobus-compatible apps. (see http://audiob.us).
Auto Tune Mobile And Garageband Free
* Vocal real-time pitch correction designed for live performance
* Compatible with other IAA and Audiobusapps
* Built with Antares Audio Technologies' Auto-Tune® professional pitch correction
* Tested with TascamiXZ and IK Multimedia's iRig microphone audio interfaces.
* Made for musicians.
ImproVox is like Autotune for the iPad but it is much more than that. It’s also a vocal instrument. Real-time pitch correction and harmonization enable you to create lush harmonies as you sing – and always sound in tune! Add vibrant textures with effects like reverb, echo, and flanger, record your performance and share it with friends.
With new overdub and sharing features, it’s possible to collaborate with people from all over the world. Download tracks from other ImproVox users with SoundCloud and overdub your own parts, or take your favorite song from your iTunes library, and sing along.
Harmonies and effects are controlled via two large touch pads. Changing the sound of your voice is as easy as moving your fingers across the screen, and you don’t need to know any music theory. Because effect and harmony characteristics can be changed while you sing, the sonic possibilities are endless. Create reverberant rock hits and cavernous choral compositions, or just speak into the mic and transform your voice using abstract effects.
Never before have so many powerful features been bundled into one easy-to-use App. With state-of-the-art audio processing and a sophisticated yet intuitive feature set, it’s both easy to enjoy and a challenge to master. Controls are simple and immediately gratifying, while recording and sharing is easy and straightforward. With 5 unique harmony styles and 8 different effects to choose from, you can make your music as simple or complex as you choose. All it takes is the desire to explore — and create.
Features Include:
-Real-time vocal pitch correction
-Real-time 4-part harmonization in varying styles (Choral, Pop, Barbershop, Jazz, Baroque)
-Customizable key and scale selection (with a voice-controlled key selector)
-Traditional effects – reverb, echo, stutter, and cavern
-Abstract effects – ring modulator, bit crusher, flanger, and auto-wah
-Change and mix any harmony style and effect while you sing
-Shake the device to set echo times
-Recording capabilities with .m4a and .wav file-saving
-Overdub function allows you to layer your recordings with multiple performances
-Sharing capabilities via the device’s email client, SoundCloud, and iTunes document sharing.
-Import function allows you to import tracks from your iTunes library or SoundCloud, allowing you to collaborate with people from all over the world
-AudioCopy and AudioPaste support
-Audiobus support in Input/Effect/Output slot
ImproVox works great with IK Multimedia’s iRig Mic. The microphone’s variable gain setting allows you to use ImproVox live with speakers, and the sound quality is fantastic. A highly recommended addition to your collection! Learn more @ www.ikmultimedia.com/irigmic
ImproVox is built for iPad, iPhone 4, iPhone 3GS, and iPod Touch 32GB and 64GB (iPod Touch requires Headset with built-in Microphone)
Garageband For Pc
Headphones required; supports ear bud headsets with mic and traditional headphones
ImproVox is not currently compatible with 1st and 2nd Generation iPhones, or iPod Touch lower than 32GB. MuseAmi recommends purchasing the app directly from the device to be sure if it is compatible.
Improvox is available for $3.99
Related posts:
While Garageband comes with its own pitch correction/auto-tune plug-in that I’ve explained how to use before, it’s quite limited in its parameters, coming only with the ability to select the key and make adjustments based on a numerical scale. At some point, you’ll probably want to move on to a more sophisticated plug-in that comes with extra options, specifications, parameters, and other cool features.
If you’re in the market for a new pitch-correction plug-in, grab Melodyne 4 – Studio (Melodyne 5 is great too. It’s the updated version).
Celemony’s Melodyne 4 Studio pack is the best pitch correction/auto-tune plug-in for Garageband.
The amount of features included with Melodyne 5 – Studio on Plugin Boutique is hard to explain with a few short sentences, which is why this article is so in-depth; I did my best to convey how useful this software has actually been for me.
You can check out the chart at the end of the article to find out the differences between each edition, however, this article explores the features of the full version of the software. Furthermore, if you want a traditional auto-tune plug-in to get T-Pain/Travis Scott style vocals, check out MAutoPitch from Melda Production. This will help you get the sound you’re looking for.
Features of Melodyne 4 Studio
How To Start
To get started, you just have to hit the ‘Transfer’ button in Melodyne’s interface and then hit play on the vocals. From here, Melodyne will load the track into the interface for editing.
Easy-To-Understand Blob/Wave Format
After you’ve printed the audio recording into Melodyne 4, the software portrays it as “blobs” and wavy-lines.
The blob represents the note, the volume, and the duration of the vocal track.
The wavy-lines portray the direction and flow of the pitch.
Using the plug-in’s Main Tool, you can adjust the positioning of the notes which ultimately changes the pitch completely, according to either a diatonic key signature, the chromatic scale, or randomly.
By randomly, I mean that you can adjust the pitch of the note in such a way where it’s not connected to any scale.
Melodyne Algorithms
Melodyne has different algorithms for different types of audio, including an algorithm for entire mixes such as every instrument collectively; algorithms for noise, percussive instruments, vocals, and also for instruments like the bass and electric guitar.
These different algorithms determine how the audio signal will be shown in the interface as well as how it’ll be interpreted by the software.
There are three main algorithms:
1) Melodic and Polyphonic: Melodic and Polyphonic allow for the adjustment of notes and pitch, including various parameters like amplitude (volume), vibrato, etc.
2) Percussive: The Percussive algorithm gives you the ability to adjust the note in terms of its timing, which is great for drums, drum loops, and other percussive instruments, or even noisy instruments that don’t have a particular pitch.
In other words, the percussive algorithms allow you to adjust the timing, and due to the combined use of the melodic and polyphonic, also the pitch of the note, even though the sound it’s adjusting isn’t a melodic instrument, ie, guitar versus a snare drum.
3) Universal: The universal algorithm is used for stretching the note across a certain amount of time and also transposing mixes and other instruments.
The combined functions of all of the aforementioned algorithms allow for broad and subtle changes across several different parameters. For example, you can actually stretch out a note sung by a singer.
This isn’t possible to do in Garageband using the default pitch-correction plug-in unless you use Melodyne, another plug-in, or nuanced tactics that are more time-consuming.
Pitch Editing Software
Melodyne is capable of pitch editing on a number of different levels, including the pitch center and pitch modulation (also known as vibrato).
Using an example to explain what I mean, it’s possible to adjust the amount of vibrato within a particular note.
Down to the very specific pitch fluctuation of the note, you can determine how much the pitch is drifting away from the note’s center.
If there’s too much vibrato and just a part of it is off-key, you can pull it more toward the center, or, you could make the vibrato much stronger.
It’s possible to adjust the pitch of notes on a very subtle level, for instance, toward the correct pitch rather than exactly on point.
How To Do It
You do this by selecting the note using the Pitch Modulation tool, and then dragging and dropping it to where you want it to go based on its location in the grid.
The lines will flip up and down or flatten out depending on what tool you use and how you use it.
If you’ve ever used the auto-tune/pitch-correction plug-in in Garageband, you’ll know that it doesn’t allow for very small and subtle changes.
Melodyne 4 makes up for that because you can actually push one-note individually, rather than all of them collectively as is the case using Garageband’s default plug-in.
This allows for WAY more customization.
What makes Melodyne amazing is that it’s capable of changing the pitch of notes while also retaining its natural quality.
Explained in another way, it’s not going to change the “human quality” of the sound. I was actually pleasantly surprised by Melodyne’s ability to change the pitch without noticeably altering its natural sound, and I can’t emphasize this enough.
For instance, if a vocalist has sung a particular part and you want to move it up a Major Third for the sake of harmonization, it’ll sound just as good using Melodyne.
It really does a tremendous job of adjusting the pitch without making it sound bad or weird.
Snap To Grid For Time Quantizing And Pitch Correction
Like I mentioned above, in addition to adjusting the notes individually, it also has the capability to make sweeping changes across the board, rather than adjusting each note on a case-by-case basis.
What I mean by this, is that you can snap all the notes to the grid according to a particular key, similar to how it’s done in Garageband.
How To Do It
You do this by selecting “Edit,” in the tool-bar, and then “Quantization Macros,” and then either “Correct Pitch” or “Quantize Time.”
You can snap it to the grid based on a particular key signature, as well as make sweeping changes to the pitch drift and pitch center.
Furthermore, you can change the pitch of note according to a particular scale if you want, for instance, the chromatic scale or another diatonic scale such as the A Major Scale.
Polyphonic (Multiple-Note) Editing
While Melodyne has a lot of impressive features, its ability to adjust the pitch of chords and other notes played together really stands out in my opinion.
For this, you would want to use the “Polyphonic” algorithm, which is used for adjusting notes played harmonically (all at the same time).
Melodyne, however, will use its Automatic detection system to figure out what algorithm is necessary. But it doesn’t hurt to select the proper algorithm as a preventative measure.
In the image you can see below, I took one of Garageband’s Apple Loops – an acoustic guitar playing chords – and you can see that Melodyne used the Polyphonic algorithm to literally pull the audio apart so that you can see each note played individually.
Because of this, you can actually change the pitch of each part of the strum. It’s honestly pretty amazing.
You could use this feature for guitar or piano chords, or really any instrument that’s capable of harmonies.
How To Do This
It’s done the same way as other forms of editing. You just have to use the Transfer button to print the audio into Melodyne, and the software should automatically pick up on what algorithm is necessary for editing.
Changing The Timing
The notes in Melodyne can be edited in a number of ways, including by shortening or lengthening, moved forwards or backward, or quantized according to a grid.
This is also possible using the Flex Timing option in Garageband (my tutorial), but Melodyne can adjust minor details more specifically and in a more nuanced fashion.
The specificity of Melodyne is more in-depth than the Flex Time function. For instance, you can correct very specific errors and transients.
How To Do This
It’s really fairly intuitive. Just use the Main Tool to pull the notes toward whatever grid-line that you want.
Additionally, you can use the time quantization tool that I mentioned above. You go into the top toolbar, select “Edit,” and then “Quantization Macros,” and then “Quantize Time.”
Tempo Editing
A cool additional feature of the plug-in is that it can actually detect the tempo of your song, that way you can create a quantization grid that works perfectly with the tempo of the song.
Furthermore, you can generate a click track afterward if you want to.
If you’re familiar with Garageband, you’ll know that the time editing function is perhaps the most limited aspect of the DAW.
For instance, you can’t change the timing and tempo of one track without adjusting the timing and tempo of the rest of the music (although, there are weird and time-consuming ways of getting around this as I’ve explored before).
Melodyne allows you do to make these changes, either for editing or creative purposes.
How To Do This
In the image you can see above, I’ve pointed out the number tempo system that you can click on and make changes from there.
Volume Editing
Garageband comes with the ability to adjust the velocity, strength, and volume of MIDI notes, but the same thing can’t be said for audio recordings, whether it be a guitar, bass guitar, or vocals.
Although, of course, you can adjust the volume but only on the entire track, unless you use automation.
Melodyne allows you to adjust the amplitude and volume of particular notes and sections of the audio recording.
Undesirable fluctuations in volume can be adjusted after the fact, without the use of an additional plug-in such as a compressor or noise gate, which would typically adjust ALL of the notes, rather than one individual note.
This has other added benefits, including the ability to adjust other undesirable sounds in a recording, such as breathing sounds or some kind of sound in the background.
How To Do This
Similar to other functions, you just have to select the right tool in the top-center toolbar.
Multi-Tracking Capability
Using the note editor, it’s possible to look at as many tracks as you want at the same time for the sake of reference or editing, depending on what you want.
As a result, it’s a lot easier to make adjustments and changes while also seeing what everything looks like in the context of the entire mix.
How To Do This
Click on the fader option of the top-left side of the toolbar. This will bring up the tracks as I’ve shown in the image above.
Tempo Detection
Melodyne comes with an intelligent algorithm that’s able to comprehend time signatures and tempos, including whether or not they’ve changed on a very subtle or major level.
I said already that it has the ability to create a click-track, but what’s special about it is that it can go along with the performers rather than the other way around.
But in the case of this plug-in, you can actually create a click-track that will change according to the musician’s performance, while at the same time, still being able to look at how the music looks in a typical DAW-grid that uses the number of beats as a unit of measurement.
Furthermore, you can adjust wandering tempo changes without eliminating the minor alterations in dynamics, which is useful for a live performance, for example.
A lot of Garageband users also want the ability to adjust tempo and synchronize different recordings together, which isn’t usually possible using the default DAW plug-ins, however, Melodyne makes it possible to do this.
Relatively Easy-To-Use Interface
When it comes to using music production/recording software and equipment, the number of controls, screens, and settings, can be quite daunting.
In Melodyne’s case, they’ve done a decent job of making a comprehensible interface, similar to Garageband.
Garageband users know that its interface is one of the reasons why it’s such a great DAW to start out with, so we know the value of a simple workspace.
With that said, I would say that Melodyne’s interface isn’t quite as intuitive as Garageband. In fact, this is my primary criticism of the plug-in thus far.
But like any tool, it’s going to take some work to grow accustomed to it.
Keyboard Shortcuts
An added feature that some may like is the ability to create custom keyboard shortcuts. Frankly, I’m not much for making these kinds of changes, but other people might.
How To Do This
Go into Settings, select “Preferences,” and then “Shortcuts.”
Stand-Alone Mode and Plug-In Interface
You also have the option to use Melodyne as its own piece of software, or as a plug-in that comes up directly in Garageband.
The stand-alone version looks like what you can see in the image below:
How To Do This
To bring up the stand-alone version of the plug-in, you just have to open it up as a typical application at the bottom of your toolbar. You might have to search for it in your application menu first.
Melodyne 4 Buying Guide
The Melodyne 4 plug-in comes in 4 different packages, Essential, Assistant, Editor, and Studio, with Essential being the cheapest and Studio as the most expensive.
Frankly, I would avoid getting the Melodyne 4 Essential, because it’s the bare-bones version of the plug-in.
Get Melodyne Studio from Plugin Boutique if you want all of the functions, but if you’re on a budget, get Melodyne Editor (from Plugin Boutique as well) instead because it’s the best trade-off in terms of price and value.
Thankfully, you can actually upgrade each one with a smaller fee, so if you’ve started out with the Assistant plug-in, you can pay the difference and move on to the more superior version.
Differences Between Each Version Of Melodyne
The ‘x’ on the right-hand side of the chart determines that the version of the software does have the capabilities listed on the left-hand side.
***These Charts Are Taken From Celemony’s Website
Cons And Important Things To Consider
1) Don’t Use Command + Z Function
When you have the plug-in open in Garageband, be careful not to use the (Command + Z) function to undo changes in Melodyne.
For whatever reason, they didn’t program the plug-in so that you could use the same Command function to undo changes.
What will end up happening is that Garageband might just shut down the plug-in and you’ll lose all of the edits you’ve done up until that point.
I did this the other day after an hour of working on a vocal track.
Free Autotune For Garageband Ios
2) Price
Frankly, this plug-in, especially the Studio version, is quite expensive.
Autotune For Garageband Free Download
The Studio version Melodyne costs more than the entire Logic Pro X software itself, which is really saying something.
On the other hand, though, the capabilities of this plug-in are quite extensive and it’s really a game-changer in terms of what it allows you to do.
3) Not Many Tutorials Online
While there are some tutorials on how to use this plug-in on the internet, there certainly aren’t hundreds of them.
Don’t worry though, as I use this software more and more, I’m going to be producing all kinds of tutorials, articles, and YouTube videos to help you learn how to use it as well.
Gsnap
So you don’t have to worry about being left out in the cold.
YouTube Video
Conclusion
All-in-all, I would say that Melodyne 4 Studio is definitely worth the money if you’re serious about music production and recording. The useful features of this software/plug-in really can’t be emphasized enough.
If you’re on a budget, grab the Editor version, but if you want to go all out, pick up the Studio version instead.